Terry Gilliam makes a very specific and recognizable kind of movie, so much so that if you accidentally stumbled upon one, you’d know it was his long before the filmmaker's name appears onscreen. Gilliam’s celluloid voice is unmistakable, his movies an all-out assault on the senses that take place where comedy and tragedy meet, with madness often examined and authority frequently attacked.
When they work, they can be a glorious jumble of twisted and rebellious ideas, as with Time Bandits, Twelve Monkeys, The Fisher King, and Fear and Loathing in Las Vegas.
More recently however, his output has been tedious and disappointing, the likes of Tideland, The Brothers Grimm and The Imaginarium of Doctor Parnassus visually arresting, but very much a case of style over substance.
via IGN All http://feeds.ign.com/~r/ign/all/~3/lRuynNoAowk/the-zero-theorem-review
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