Wes Anderson may well have the most distinctive directorial voice in modern American cinema. The style is so unmistakable – from visuals and music to dialogue and performance – that an Anderson film pretty much identifies itself in the first few frames.
But it's his latest effort that feels like the ultimate Wes Anderson movie, with The Grand Budapest Hotel clearly made by a director at the height of his powers, taking everything he’s learned thus far and applying it to a magical, moving and utterly beguiling shaggy dog story.
It kicks off in convoluted fashion, with the renowned author of novel The Grand Budapest Hotel (Tom Wilkinson) speaking in 1985 and recounting the time he spent at the titular hotel in 1968 (where a fictionalised version of the character is played by Jude Law).
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